Moulton Laboratories
the art and science of sound
Taming the Big Wave
Dave Moulton
January 1997

Getting Control of Low Frequencies in the Studio and Control Room

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Taming the Big Wave

What Are Low Frequencies?

Low frequencies are big sound waves. Because of their size, they present some particular problems for us in the recording business. Both in terms of loudspeaker design and room design, low frequencies exhibit particular behaviors that require a different way of thinking, vis-a-vis mid or high frequencies. To make matters worse, we perceive low frequencies differently than high frequencies as well. But that part of it is a different problem for another time. Onward!

Wavelength

Actually low frequency waves are long waves. The speed of sound is more or less constant (at 1130 feet per second), so it is obvious, when you stop to think about it, that low frequencies, which take longer to happen, generate waves that travel further before the next wave begins. A 1 Hertz wavefront travels 1130 feet before the next wavefront departs. A 1 kHz. wavefront travels 1.13 feet before the next wavefront departs. See the table below.

Frequency in Hz. Wavelength quarter wavelength
2056.5014.13feet
2545.211.3feet
31.535.878.97feet
4028.257.06feet
5022.65.65feet
6317.944.48feet
8014.133.53feet
10011.32.83feet
1259.042.26feet
1607.061.77feet
2005.451.41feet
2504.521.13feet
3203.530.88feet
4002.830.71feet
50027.126.78inches
64021.195.3inches
80016.954.24inches
100013.563.39inches
128010.592.65inches
16008.482.12inches
20006.781.7inches
25605.31.32inches
32004.241.06inches
40003.390.85inches
51202.650.66inches
64002.120.53inches
80001.70.42inches
102401.320.33inches
128001.060.26inches
160000.850.21inches
204800.660.17inches
Table 1. The wavelengths and quarter-wavelengths for each 1/3rd octave center frequency of the audible spectrum. Note that wavelengths below 500 Hz. are given in feet, while from 500 Hz. on up they are expressed in inches. These magnitudes are worthy of your careful study and contemplation.

In any case, a typical room of the sort in which we live and work is usually no more than about nine feet high, with a longest usual dimension of something around 35 feet (20 feet is probably average for residential rooms). I consider the frequency whose wavelength equals the smallest room dimension as the frequency that begins to present room problems as a “low” frequency, or about 140 Hz., whose wavelength is eight feet (equal to our typical residential ceiling height).

Thank about it. If we have a twenty-foot long living room, and a loudspeaker at one end of it plays a 20 Hz. sine wave (56.5 feet long), that wave will go the length of the room, reflect back, and then reflect back again about 3/4s of the way before the next wavefront in that 20 Hz. wavetrain is generated. It is intuitively obvious that the room is not large enough to allow the wave to fully propagate without interference. No such wave can be free of significant constructive and destructive interference in that room.

This characteristic of low frequencies, that their wavelengths are larger than the dimensions of the rooms they are being performed in is, in fact, a problem.
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