Moulton Laboratories
the art and science of sound
Starting Over III, Where Audio Hits The Air, The Zen Of Specs Takes On A Whole New Outlook.
Dave Moulton
April 1994
Dave loses it when it comes to fan noise (and he doesn't mean the cheering of his readers, either!).
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Computers Vs. the Real World

Now this is where the geeks have failed. By focusing on the Virtual Reality of their systems and ignoring the acoustical reality of said systems, they have seriously compromised their products and our musical capabilities. To be fair, many of them aren't even aware that their products are going to be used for audio and have made no effort to accommodate such use. However, Multimedia is all the rage now, and even generalist companies like Apple are busy touting 16-bit stereo sound. While it may be 16-bit, it sure doesn't give us the benefits of same, i.e. a dynamic range of 96 dB, directly due to computer/peripheral acoustical noise.

In the face of my audio adventure, I decided to get serious and make some reasonably formal acoustical noise measurements of various bits and pieces of computer gear I had lying around, plus one piece I borrowed. These include a Macintosh Powerbook 100, an Apple Quadra 650, a LaCie Tsunami 1.3 gB Hard Drive, an MDS Syquest 88 mB Removable Drive, a Leading Edge WinPro 486 PC, a Digidesign Expansion Chassis and a Studer/Dyaxis IMS dual drivbe storage system. I've identified them for reader information - not as a product evaluation. Please note that the Dyaxis unit is no longer made and that the Apple, Leading Edge, MDS and La Cie items were not designed for use in audio production work. Further note that my intent is not to bash any of these manufacturers. I believe that these performances are typical of all computer gear, and represent the state of the industry, not these manufacturers per se.

These measurements were all made at 18" from the front of the chassis, with some reverberant information included, but the unit decoupled from its work surface (a significant contributor to acoustical output). In the case of the Leading Edge 486 computer, it was measured from the bottom, through the open door of its enclosure in the desk. It may in fact be slightly softer than measured, relative to the others.

The softest of these items, the Powerbook 100, is 10 dB louder than my room. It is easily and annoyingly audible and has in fact busted audio takes when the drive spooled up during a voice-over, just in case you thinking I'm being picky-picky.

The loudest of these, the Studer-Dyaxis unit, is really annoying (21 dB louder than the room). Its acoustical emissions peak in the critical 4 KHz. region, really cutting into vocals and other critical timbral information.

The Digidesign Expansion Chassis (20 dB louder than the room) is slightly less offensive than the Dyaxis due to the fact that its primary output is at lower frequency and with less identifiable pitched content.

Below is a table that summarizes these considerations.

Device dBA SPL Typical Pro S/N ratio Typical Home S/N ratio Reduced S/N Ratio from ideal 96 dB Reduction in range of my studio
Powerbook 100 38 52 dB 42 dB 78 dB -10 dB
Quadra 650 39 51 dB 41 dB 77 dB -11 dB
La Cie Drive 43 47 dB 37 dB 73 dB -15 dB
MDS Drive 44 46 dB 36 dB 72 dB -16 dB
486 PC 46 44 dB 34 dB 70 dB -18 dB
Digidesign 48 42 dB 32 dB 68 dB -20 dB
Dyaxis 49 41 dB 31 dB 67 dB -21 dB

This isn't, unfortunately, the worst of it. Nobody uses these devices just by themselves. So we need to look at overall summed levels. Below is a table that shows various combinations in addition to the grand totals:

  dBA SPL Typical Pro S/N ratio Typical Home S/N ratio Reduced S/N Ratio from ideal 96 dB Reduction in range of my studio
Summed Power level of all Devices 53.8 36.2 dB 26.2 dB 72.2 dB -25.8 dB
Summed Power level of Quadra & La Cie 44.5 45.5 dB 35.5 dB 71.5 dB -16.5 dB
Summed Power level of Quadra, La Cie & Digidesign 50.3 39.7 dB 29.7 dB 65.7 dB -22.3 dB


The results are disheartening: 54 dB SPL, the grand total for all of these devices running together, is a level that begins to approach the level of conversation! A professional studio might have a working signal-to-noise ratio of only about 36 dB, while your home studio might actually only have 26 dB, if you keep levels down to a point where the neighbors don't call the cops yet again. This in the face of the claimed spec of 96 dB signal-to-noise ratio!!!

Me? I've made a big investment in real estate and architecture just to gain peace 'n quiet where I work and the noise pollution generated by this equipment has reduced the quality of my effort by a factor of 20, right out of the box!
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