Moulton Laboratories
the art and science of sound
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Featured Articles
Original Notes on Music for the Kauffman Center for the Performing Arts Garage in Kansas City, MO
Creating loudspeaker music for a large space.
10/2011
Issues pertaining to the composing of “minimalist” loudspeaker music for home theater arrays
Power Chords, Polyphonic Trains and Plain Old Phase
6/2006
Design considerations for an idealized domestic surround sound listening space
The author describes an ideal surround sound system.
6/2006
IN DISCUSSION
24 Bits: Can You Hear ‘Em? 96 kHz.: Can You Hear It?:
"...has anyone really addressed inherent problems most sound systems have? Pre…
Random Articles
Stereo Reconsidered: A+B/A-B: Another Way of Mixing
Dave explains how to listen in A+B/A-B, or "Sum and Difference" Listening and Mixing.
1/1993
Kick/Bass Revisited: A New Dimension Is Added By Rap And Hip-Hop
doommmmfff doommmmfff doommmmfff da-doommmmfff
8/1994
End-User Systems
Engineers should consider how and where their music ends up being played. Moulton breaks the multitude of playback systems down into seven basic sonic environments.
5/1994
Choosing Studio Monitors: How Should We Go About It?
How to kick the woofers before buying (uhm, not really).
11/2000
The Zen of Specifications
Lies, damn lies, and audio specifications! This article talks about making sense of them all.
4/1993
Whaddya Mean The Sound Is Fluffy?
Exploring the tenuous relationship between words and sounds.
6/1999
24 Bits: Can You Hear ‘Em? 96 kHz.: Can You Hear It?
How Do You Know? What Does It All Mean?
10/1999
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