Moulton Laboratories
the art and science of sound
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Featured Articles
Original Notes on Music for the Kauffman Center for the Performing Arts Garage in Kansas City, MO
Creating loudspeaker music for a large space.
10/2011
Issues pertaining to the composing of “minimalist” loudspeaker music for home theater arrays
Power Chords, Polyphonic Trains and Plain Old Phase
6/2006
Design considerations for an idealized domestic surround sound listening space
The author describes an ideal surround sound system.
6/2006
IN DISCUSSION
24 Bits: Can You Hear ‘Em? 96 kHz.: Can You Hear It?:
"...has anyone really addressed inherent problems most sound systems have? Pre…
Random Articles
The PAQRAT - Making Your MDM Into A 20-Bit Recorder
Getting your 16-bit digital multitrack to function as a 20-bit recorder.
2/1996
The Mikrodigi 360 Digital Microphone: 21st Century Technology Is Really Here!
Recording magazine declined to publish this one. Too bad it was for the April issue! They thought it was a joke!
4/1995
Principles of Multitrack Mixing: The Kick Drum/Bass Relationship
Pop and rock means kick drum and bass. Mixing them well is essential.
2/1993
A Reader Asks About the “Aesthetics” of Audio Compression in Broadcasting
How to use black boxes when making compression decisions for broadcast.
3/2003
Whaddya Mean It’s Inaudible? Why, I Know A Guy…
The ongoing debate of what it means when something is "audible" or not.
1/2000
Loudness: Why Can’t We Just Set the Level Once and For All?
Understand why levels all over the place in broadcast audio, and take a look at the P2Level Pilot.
3/2003
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