Moulton Laboratories
the art and science of sound
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Featured Articles
Original Notes on Music for the Kauffman Center for the Performing Arts Garage in Kansas City, MO
Creating loudspeaker music for a large space.
10/2011
Issues pertaining to the composing of “minimalist” loudspeaker music for home theater arrays
Power Chords, Polyphonic Trains and Plain Old Phase
6/2006
Design considerations for an idealized domestic surround sound listening space
The author describes an ideal surround sound system.
6/2006
IN DISCUSSION
The Brave New World: Bad Audio:
Recently I watched several old movies on DVD and they sounded a lot better than…
Random Articles
Tips ‘n Tricks for Mastering
If Ya Gotta Master At Home, Some Thoughts On How To Minimize Your Pain
9/2004
Stereo Reconsidered: A+B/A-B: Another Way of Mixing
Dave explains how to listen in A+B/A-B, or "Sum and Difference" Listening and Mixing.
1/1993
The PAQRAT - Making Your MDM Into A 20-Bit Recorder
Getting your 16-bit digital multitrack to function as a 20-bit recorder.
2/1996
A new loudspeaker design
A case study of an effort to more fully integrate the loudspeaker into the playback room in a musical way.
5/2003
The Aphex 661 Expressor™ With Tubessence® And Easyrider® Tube Compressor/Limiter
Dave reviews a tube compressor/limiter.
3/1996
The Brave New World: Bad Audio Fixed?
Dave discusses trends in television audio and techniques for improving it.
12/2001
The Difference Between What You Hear and What You “Hear!”
An overview of those human biological signal processors otherwise known as ears, and how they impact the question of audibility.
2/2000
On Special Instructions, Computer Hell, and Time vs. Money
"A hell as certain as change, mortality, and the end of life as we know it." (Mark Parsons)
11/1994
Great Expectations or Crashing Dreams?
How Hyperchange is Consuming Your Computer And How To Cope With It!
2/1995
Making Your Home Control Room The Best That It Can Be: Some Basic Principles
Seven issues you will need to address as you build the control room of your home studio.
6/2002
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